We’ve spent the last two months essentially hanging out with Lady Gaga, Regina King, Olivia Colman, and Glenn Close, and finally we’re at the end of the road: Once the 2019 Oscars are over, all of these actors (and more) can finally take a long, relaxing seat after what feels like eons of promoting their performances. Which of them marked this with personal style bests, and which of them limped to the finish line? We’ve got the answers, from the fancy pants and shimmering capes to the plethora of pink.
Best Surprise: Billy Porter in Custom Christian Siriano
God bless Billy, who has spent this entire awards season looking profoundly glamorous. He saved the best for last, in the form of this tuxedo ballgown—a phrase we’ve never typed before—and something only he could pull off.
Most Magical: Gemma Chan in Valentino
Real talk: This dress is a hot pink duvet of a gown. A very fancy bed-in-a-bag. And yet…she looks great in it, somehow seeming casual and easy in what must be 2,000 yards of fabric. We have no idea how she’s managing this, but perhaps she’s interested in teaching a class?
Sassiest Pants: Awkwafina in DSquared
Call it formal disco suiting, if you want to, because that’s what it is—but mostly, we just call it good.
Most Successful at Making Us Eat Our Words: Linda Cardellini in Schiaparelli
We’d been saying to each other, repeatedly, that Linda’s outfits felt boring during her lengthy stint promoting Green Book. But now we are snacking on a heaping helping of those thoughts. Linda went very big and dramatic at her awards-season swan song, and while her pendulum might’ve swung a tad too far in the other direction—that dress is nearly overshadowing her—we are grateful it moved at all.
Best Cosplay: Sarah Paulson in Brandon Maxwell
Sarah obviously can carry any dress on her own terms, but tell us this doesn’t look exactly like something stylist Karla Welch would have pulled for fellow client Tracee Ellis Ross, who never met a gigantic pink gown she didn’t love. Now we want to do a deep dive on outfits they’ve each worn that the other might covet. Can we get Ocean’s 9 going with Tracee on board, so they can hit the carpets together more often?
Best Pink: KiKi Layne in Atelier Versace
There was a whole lot of pink on this carpet, in many sizes and flavors, but we absolutely love the authority with which (relative) newcomer KiKi Layne—who starred in If Beale Street Could Talk—cruised onto the red carpet in this lovely number. It’s sleek, cool, and unusual, and makes that pale baby-pink look very grown-up indeed.
Most Divisive: Emma Stone in Louis Vuitton
Despite our initial unease at Emma’s Vuitton partnership, it does appear that the house is trying to craft some original, unusual pieces for her. Yes, OK, she looks vaguely like a magical Hogwarts creature—her shoulders are a House Elf’s ears, right?—but somehow that isn’t a turnoff for us, thanks to this dress’s appealing texture and unexpected bronze color, and the wisely simple styling around it. But we suspect this one will get some heavy debateat Ye Olde Water Cooler.
Best Slit: Regina King in Oscar de la Renta
Usually sky-high, thigh-high slits like that make us clutch our phantom pearls like the uptight old crones that we are, but Regina works that thing beautifully—and all the way to Oscar gold. She makes it look graceful and glorious, rather than like an escape route for her left leg.
Most Elegant: Ashley Graham in Zac Posen
It’s diplomatic to say that historically we haven’t had the most faith in Ashley’s sartorial taste, so this achingly sleek, crisply-cut sheath elicited happy gasps of surprise indeed. From the hair to the jewels to the asymmetrical neckline, it’s absolutely perfect on her.
Most Minty Fresh: Yalitza Aparicio in Rodarte
That pale green is a hard color to pull off, but Yalitza looks amazing in it. This dress hails from a design house not typified by its restraint, so bravo to Rodarte for giving this newcomer and first-time nominee not just an unforgettable gown, but an unmissable one.